14 Darkly Absurd Comics From My Gums Are Bleeding

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In My Gums Are Bleeding comics, an ordinary conversation can turn grim in a sentence. A celebrity sighting becomes a disturbing confession, a bank robbery features a bear, and Superman cannot find a villain he knows how to fight. Miles Erickson’s clean, colorful figures keep the chaos looking almost ordinary.

This set of 14 dark comics moves through adult awkwardness, pop-culture parody and surreal everyday problems. Spare scenes and short exchanges set up the jokes; a blunt reversal or literal misunderstanding breaks the expected logic.

#1

A woman tells a man she saw Kevin Hart last night; she reveals she hit his mother with her car.

A celebrity name makes the setup sound harmless, but the final line turns the conversation into a car-crash confession. Blank expressions let the dialogue carry the shock.

#2

A red-hooded character compares gender-affirming surgery to popping a giant red pimple, then insists that a pimple must be popped.

#3

A character asks whether another man got a genital piercing; he hesitates before revealing he is banned from Claire’s.

#4

A cartoon newsboy in a dark suit holds up a newspaper and shouts EXTRA, announcing that things are even more messed up than yesterday.

#5

A cartoonist asks how to make money from webcomics and receives crowdfunding advice before admitting he started selling drugs.

Stretch goals and reward tiers suggest an earnest crowdfunding pitch. The final admission discards that premise in one line.

#6

A character says he is not there for money but for the real treasure, then points a handgun while saying to put the friends made along the way into the bag.

#7

Two men discuss an AI-generated house whose walls are amorphous and whose door is geometrically impossible.

An AI-generated room becomes a tangible architectural failure: the door itself seems to defy geometry. The visual makes its point unaided.

#8

An orange bear holds a gun during a bank robbery while a woman raises her hands and asks how the bear got so big.

#9

A couple attempts phone sex over walkie-talkies after one person loses a phone, leading to a repeated command to bend over.

The walkie-talkie exchange turns radio etiquette into a bedroom misunderstanding, with “over” doing double duty.

#10

A character asks Morpheus to plug him into the Matrix, but the group realizes they may have entered a modded Matrix with unexpected characters.

#11

One man says his life is like a movie, then describes it as a shitty low-budget student art-house film where nothing happens.

#12

A man dressed as Superman offers help, hears people complain about microplastics and pollution, and asks whether there are any evil robots he can fight.

Superman hears about microplastics and pollution, then asks for a villain he can punch. His toolkit is no match for the problems listed.

#13

A man says he is a little person, but the other character mistakes him for a child and refuses to have sex with him.

#14

A client announces his last therapy session because he has decided he is the therapist now; the actual therapist calls it a terrible idea.

The client declares himself the therapist; the actual therapist’s response supplies the final reversal.

About the Artist

Miles Erickson publishes as My Gums Are Bleeding. In a 2024 interview, he said he studied fine arts at CalArts, worked as a newspaper columnist, and later joined animation studios Wild Canary and Pencilmation. His official site promotes his comics and book. Follow him on Instagram. A third-party directory listed 252K followers on Nov. 9, 2026, but Instagram itself was inaccessible for direct confirmation. We previously featured an earlier Erickson collection; this gallery covers a different group of strips.

The artwork stays approachable while the punchlines refuse to behave. Which turn caught you most off guard—the impossible house, the bear, or another one?

📖 Comic Transcript, Scene Description & Humor Notes (Click to Expand)

🎨 Scene & Visual Setup

Erickson's strips pair clean, brightly colored cartoon figures with deadpan faces and sparse backgrounds, so the eye stays on the words. A woman casually mentions spotting Kevin Hart; a red-hooded character lectures about a giant pimple; an orange bear holds up a bank with a gun; Superman stands ready to help. Each scene looks ordinary at first glance—living rooms, sidewalks, therapy chairs—until a blunt reversal or literal misunderstanding cracks the calm wide open.

💬 Panel & Dialogue Breakdown

  • Panel 1: A woman tells a man she saw Kevin Hart last night, then reveals she hit his mother with her car.
  • Panel 2: A red-hooded character compares gender-affirming surgery to popping a giant red pimple and insists it must be popped.
  • Panel 3: A man hesitates over a genital piercing question before admitting he is banned from Claire's.
  • Panel 4: Superman offers help, hears about microplastics and pollution, and asks for an evil robot he can punch.

💡 Why It's So Relatable

The humor works because the setups feel like real small talk—then a single sentence detonates the premise. Blank expressions let the dialogue carry the shock, and the mundane settings make each absurd turn land harder.

Linda Martin
Linda Martinhttps://comicsconnoisseurs.com
Linda Martin is a comic writer and entertainment contributor at Comics Connoisseurs, where he explores the humor, creativity, and storytelling behind contemporary comics and visual entertainment.With a strong interest in comics, cartoon art, pop culture, and everyday humor, John focuses on creating entertaining and informative articles that help readers discover talented artists, memorable comic characters, funny situations, and creative visual storytelling.His writing combines straightforward commentary with an appreciation for the unique ways comic artists turn ordinary experiences into engaging and humorous stories.

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